Childhood in the classic French Judeo-Christian straitjacket. A blurry youth — probably traumatic. An awkward adolescence salvaged by heavy drug use. Then adulthood arrives, along with music, because music is the only real relief.

After playing in countless bands with friends in Metz (A.H. Kraken, Scorpion Violente, Plastobeton, 20,000 Punks, The Anals, 1400 Points de Suture, The Dreams, Le Chômage…), Noir Boy George is just one guy alone with a modified synth, a drum machine, and lyrics mostly about love, polydrug use, and toxic love.