Recorded in a studio after two live performances, Still Life caries deep in its heart the cinematic universe developed by Maud, notably on her album Polaar. Around the maestro’s scores, she’s managed to build a sort of dreamlike, romantic journey, both melancholic and elegiac. Throughout these eight tracks, ranging from tension to appeasement, Maud Geffray is taking Philip Glass by the hand and escorting him into a club or a rave, to show him how huge a debt current electronic music owes him.